Dana Schutz,  Open Casket  (2016), Oil on canvas, Collection of the artist; courtesy Petzel, New York.

Dana Schutz, Open Casket (2016), Oil on canvas, 99 x 135 cm; Collection of the artist; courtesy Petzel, New York.

at Spike Berlin, March 31, 2017

Talk at Spike Berlin with philosopher Armen Avanessian & curator Christian Kobald, March 15, 2017

 Chiho Aoshima  City Glow , 2005

Chiho Aoshima 
City Glow, 2005

In this month’s column, Dean Kissick looks at Superflat America, the rise of hikikomori and their connections to alt-right meme culture.

William Kherbek on Laurie Anderson’s performance at Transmediale 2017 in Berlin

Georg Dickmann über Armen Avanessians neues Buch „Miamification“

February 22, 2017. Film screening at Spike Berlin

 Richard Prince Untitled (cowboy), 1980-1989

Richard Prince
Untitled (cowboy), 1980-1989

In this month’s column, Dean Kissick considers Richard Prince's disavowal of his artwork and the destabilisation of reality.

February 17, 2017. With Chus Martínez, Michaela Meise, and Dieter Lesage

Toke Lykkeberg on the suspension of art in a state of emergency

 View from outside

View from outside

An interview with artist Kader Attia about La Colonie in Paris

 Francis Alÿs, Le temps du sommeil (Detail), (1996–) 111 Malereien Öl, Wachs, Buntstift, Collage auf Holz ca. 11,5 x 15,5 cm Courtesy der Künstler und Galerie Peter Kilchmann, Zürich

Francis Alÿs, Le temps du sommeil (Detail), (1996–)
111 Malereien
Öl, Wachs, Buntstift, Collage auf Holz
ca. 11,5 x 15,5 cm
Courtesy der Künstler und Galerie Peter Kilchmann, Zürich

Über Francis Alÿs, die Erzählbarkeit von Malerei und “Le temps du sommeil” in der Secession Wien. Von Klaus Speidel

In his monthly column, Dean Kissick examines the culture of a collapsing society.