Georg Dickmann über Armen Avanessians neues Buch „Miamification“

February 22, 2017. Film screening at Spike Berlin

 Richard Prince Untitled (cowboy), 1980-1989

Richard Prince
Untitled (cowboy), 1980-1989

In this month’s column, Dean Kissick considers Richard Prince's disavowal of his artwork and the destabilisation of reality.

February 17, 2017. With Chus Martínez, Michaela Meise, and Dieter Lesage

Toke Lykkeberg on the suspension of art in a state of emergency

 View from outside

View from outside

An interview with artist Kader Attia about La Colonie in Paris

 Francis Alÿs, Le temps du sommeil (Detail), (1996–) 111 Malereien Öl, Wachs, Buntstift, Collage auf Holz ca. 11,5 x 15,5 cm Courtesy der Künstler und Galerie Peter Kilchmann, Zürich

Francis Alÿs, Le temps du sommeil (Detail), (1996–)
111 Malereien
Öl, Wachs, Buntstift, Collage auf Holz
ca. 11,5 x 15,5 cm
Courtesy der Künstler und Galerie Peter Kilchmann, Zürich

Über Francis Alÿs, die Erzählbarkeit von Malerei und “Le temps du sommeil” in der Secession Wien. Von Klaus Speidel

In his monthly column, Dean Kissick examines the culture of a collapsing society.

 © Gerhard Richter 2016 (21112016)

Nicolaus Schafhausen, Director of the Kunsthalle Wien, on Gerhard Richter's Mirror (1981)

What does Freud’s Dora have to do with the Kardashians? Chiara Bottici and Jamieson Webster on an old soap opera – and a new one.

 Photo: Guy Ferrandis / SBS Productions

Sarah Nicole Prickett on Paul Verhoeven's new film Elle

Bernd Krauß
Maria Maria, 2016 (Von links: Margarida Mendes, Binna Choi, Maria Lind, Michelle Wong and Azar Mahmoudian)

Metahaven
Crying Mother (Information Skies), 2016

Bernd Krauß
Installationsansicht T.U.N., 2016