Math Bass 
"Newz!", 2015 
Gouache on canvas 
96.5 x 91.5 cm 
38 x 36 in

"No Joke", Installation view, Tanya Leighton, Berlin

George Grosz 
"My Shadow and I", 1956 
Signed and annotated 
Watercolor on paper 
50 x 39 cm 
19 3/4 x 15 1/4 in

 BMW Tate Live 2015 – "If Tate Modern was Musée de la danse?" Olivia Hemingway ©Tate Photography

BMW Tate Live 2015 – "If Tate Modern was Musée de la danse?" Olivia Hemingway ©Tate Photography

Last weekend, dancer and choreographer Boris Charmatz hypothetically transformed Tate Modern into Musée de la danse. Our editor-at-large was...
Yesterday we published an interview in which Marina Abramović accuses the rapper Jay-Z of breaking an agreement. Abramović...
 Crystal Cinema I, Marina Abramovic

Crystal Cinema I, Marina Abramovic

It was one of the biggest meetings of art and pop culture in the last ten years. But...
 Gavin Brown (links) und Daniel Baumann (rechts)

Gavin Brown (links) und Daniel Baumann (rechts)

Der New Yorker Galerist Gavin Brown und der Schweizer Kurator Daniel Baumann versuchen sich einer unromantischen Betrachtung des...
Es ist der Auftaktfilm einer neuen Mad Max-Trilogie: Tom Hardy beerbt Mel Gibson und bekommt mit Charlize Theron...
 Photo: Johannes Worsøe Berg

Photo: Johannes Worsøe Berg

The New York-based Norwegian artist is drawn to big subjects – violence, sexuality, destruction, aging, self-expression. His exhibitions...
 Okwui Enwezor fotografiert Kanye West 

Okwui Enwezor fotografiert Kanye West 

Empfang der Bergen Assembly auf Guidecca

Eissalat im Datenpark
 Anja Kirschner  &  David Panos , Uncanny Valley, 2013, HD Video, 10 Min. Courtesy die Künstler und Hollybush Gardens, London

Anja Kirschner & David Panos, Uncanny Valley, 2013, HD Video, 10 Min. Courtesy die Künstler und Hollybush Gardens, London

Die Kuratorin Elodie Evers empfiehlt Ausstellungen im Rheinland und Umgebung
 In the crater in Görlitzer park

In the crater in Görlitzer park

And the city that saved his life
 Kathy Acker at 26th Studio, New York 1990

Kathy Acker at 26th Studio, New York 1990

Chris Kraus writes about the renewal of interest in this controversial punk icon.