With the dawn of a new decade comes the possibility that all could start over, be good again. DEAN KISSICK takes us on a journey in search of exhiliration in art, theatre, and elsewhere. Follow his trek from Mexico to New York, out of the glum and into glam and glee.
What did you get for Valentine’s Day? Some New Yorkers were treated to a unique blend of sexual energy and frustration in Irena Haiduk’s “Cabaret Économique”, performed at the Swiss Institute, New York.
Now Zero has been a staple at Spike online, but now, fittingly alongside Brexit, we also bid farewell to Ella and her column. Fear not, Ella will continue to scrawl across the walls of Spike’s print pages, and there will be others to take her spot, though not her place. You’re not reading it properly unless you click through and play all the links at once.
Spike will play host to a series of exhibitions by Bucharest based project space Salonul de proiecte, the first of which will run January 31–March 7, and will feature the work of Romanian-born artists who emigrated from their home country during the 1960s and 70s.
The glamour of the artist’s life turned out to be just another con. So, how did critique manage to turn into protest, whose participants became the unwitting guests of honour in institutional spaces – indoors and well heated, though no longer public? By Victoria Campbell
In the beginning there was energy, matter, and light. But the most important element in human evolution could have been the kiss of fire that propelled human evolution forward and set the stage for the mother of all arts: cooking. Austrian filmmaker Peter Kubelka talks to Asad Raza about a life in film and how the art of cooking isn’t hard to master.
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