Billboard: SPIKE #83 – FOOD – IS OUT NOW!
Spike Talk: Christian Kobald at Krinzinger Lesehaus

On Saturday, 26 April at Galerie Krinzinger’s Weinviertel art library, Christian Kobald will cut to the heart of the question that daily defines Spike: What is a magazine (and why is it important to ask)?

Daniel Spoerri at Levy Gallery & alexander levy

In Berlin, leftover meal assemblages by the founder of Eat Art show that meaning-making often boils down to presentation.

Milena Büsch at Felix Gaudlitz

Tooling around genre conventions and their subversion, the German painter tables the class distinctions of taste – only to impishly disassemble any such codes.

Peter Hujar at Raven Row

Canonized of late as the chronicler of gay life and death in 80s New York, a London retrospective reframes the US photographer as a master of the darkroom, too.

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An image for the showcase module titled, "SPIKE #83 – FOOD – IS OUT NOW!"
SPIKE #83 – FOOD – IS OUT NOW!

You can’t make an omelette without breaking a few eggs. Or, it seems, without a few thousand followers and a designer stove. Food is everywhere these days, from jello-sculpting reels and fermentation popups to bike deliveries of so many global cuisines. Our culture’s new A-listers are chefs, their restaurants no longer just stages for social performance, but works of total theater. How is this buffet of new ideas, techniques, and above all delicious images changing the flavor of art, which, going back to the cave paintings, has dealt with foods less digestible to our feeds – the slimy, the rotten, even the cannibal? In an era of shared plates when the camera eats first, can foodification even help art find its own umami? Our spring menu is seasonal, promise – there’s just one nature morte.

Featuring Healthy Boy Band, Aleksander Baron, Milena Büsch, Peter Fischli & David Weiss, Spiral Theory Test Kitchen, Amber Husain, Whitney Mallett, Diane Severin Nguyen, Andrea Petrini, Steven Phillips-Horst, Torbjørn Rødland, Dieter Roth, Mika Rottenberg, Julian Schnabel, Michael Smith, Philippa Snow, Daniel Spoerri, Tea Hačić-Vlahović, Wendy’s Wok World, Lynn Zelevansky & so many more!

Going Out in Brussels 2025
By Nicolaus Schafhausen

A transplant of many hats – former artist, curator, museum director, and now founder of the commercial gallery KIN – on the sour libations worth sipping this Art Brussels.

In Defense of Airplane Food
By Tea Hačić-Vlahović

“While you swallow bleached pasta, consider how close you are to death.”

“A Kind of Language” at Osservatorio Fondazione Prada
By Nolan Kelly

A Milan exhibition of storyboards, sketches, and other production notes opens not only the secrets of many iconic films, but the story of cinema itself.

7pm in Hong Kong
By Geoffrey Mak

Geoffrey Mak & Drew Zeiba, Hong Kong, March 2025

Working Charli XCX Out On the Remix
By Matilda Lin Berke

What was Brat really about? Smart marketing, sure – but also art-making in-progress, in public. A reflection on thinking past surfaces.

On Dressing in Dark Times
By Joanna Walsh

If no outfit is truly politically neutral, what does one wear for actual resistance?

Kosen Ohtsubo & Christian Koun Alborz Oldham at Kunstverein München
By Patrick Kurth

An exhibition equal parts vegetable, mineral, and photograph wagers that ikebana is less an outgrowth of one’s hands than of imagination.

Stephen Cheng on Ten Years of Empty Gallery
By Jaime Chu

The founder of Hong Kong art’s black cube on sheltering artists from the system, programming as film-making, and the experimental drug called jet lag.

Going Out in Milan 2025
By Spike Editorial Team

Amid MiArt and the Salone del Mobile, the stylish trio behind Fanta-MLN recommend the city center’s best lemon tarts and aperitivi; plus, a night out with PAN Records.

The Internet Enters Its Age of Aquarius
By Günseli Yalcinkaya

On AI’s psychedelic edge, science is spiraling back towards its mystical origins, driven by a counterculture that’s not after free love so much as fatter profits.

The New Delicious
By Aodhan Madden

Can words ever really capture the tang of sour milk? Torbjørn Rødland, Diane Severin Nguyen, and Yair Oelbaum are making photos that indulge the tongue’s less speakable pleasures.

Why Did Saturn Eat His Son?
By Philippa Snow

To metabolize his challenger’s power. Or was he just getting his rocks off?

The Many, Many Heads of JD Vance
By Travis Diehl

In a politics that feels like a bad AI prompt, one leader’s memeification shows deceit is no longer just a tactic – it’s their shameless appeal.

Going Out in Hong Kong 2025
By Eugenia Lai

Need a foot massage during Art Basel? Spike’s favorite Hongkonger has your spot – and so many tips besides on the city’s best dim sum, speakeasies, and cha chaang tengs.

SPARK Art Fair Vienna 2025
By Spike Editorial Team

The 4th edition of Vienna’s springtime art fair brings it unique concept back to the historic MARX HALLE, featuring 100 solo artistic presentations by 90 international galleries.

On Exclusivity
By Joanna Walsh

As fashion continuously cycles between excess and access, who are the industry’s real “insiders”?

Nan Goldin at Berlin’s Neue Nationalgalerie
By Pablo Larios

In a city she once considered a refuge but that now censors genocide, six dialectical slideshows chronicle the recovery of the beautiful from the ugliness underneath.

Do Not Comply With the Terms of Service
By Paul Feigelfeld

A leading European media theorist’s user guide to opting out of compliance with techno-totalitarianism; or, how to stop kidding yourself and finally quit Meta.

Anne Imhof’s “DOOM” Is No Match for the Fashion Machine
By Jeppe Ugelvig

On the rigged economy of making cool images and letting her audience shoot the editorial at Park Avenue Armory.

Calla Henkel, Why Did You Leave Berlin?
By Calla Henkel

After closing TV Bar, the artist went West to co-open LA’s New Theater Hollywood. The biggest surprise? How much she misses Berlin’s “cultural dentists.”

The 5 Best Films of Berlinale
By Rachel Pronger

Starring a trio of formally wild features, a long-overdue entry in the global trans film canon, and a flickering descent into colonial history.

Going Out In Madrid 2025
By Silvia Ortiz and Inés López-Quesada

Hungry for pintxos after ARCOmadrid? The founders of gallery Travesía Cuatro star their favorite snacks and libations as art world turns to spring.

Watching Swan Lake As the Post-War Order Collapses
By A.V. Marraccini

The New York City Ballet, once the pinnacle of US cultural prestige, offers relief from the terrible push notifications – until Odette throws herself off a cliff.

On Queerness as Realculture
By Travis Diehl

Amid right-wing sanitization of gender, art, and so much else, could homebrewed video games be the best refuge for the core strangeness of experience?