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On Friday 31 March at Soho House Berlin, Tanya Cruz speaks to Adina Glickstein about Keiken’s latest game, Morphogenic Angels,and the collective’s transmedial production of speculative worlds.
“Nicolas Moufarrege, National Studio Artist,” at “Nicolas Moufarrege's Room,” an unofficial exhibition installed in the artist’s studio, 1982. Courtesy: The Museum of Modern Art Archives, New York
In a brief and internationally mythologized career, Nicolas Moufarrege, subject of a compact retrospective at CCA Berlin, threaded together feminized house craft, spray-can Pop, and an urge to find the all within.
In memory of Michel Würthle (1943–2023), we’re resurfacing his Autumn 2006 conversation with Roberto Ohrt and Harald Fricke on unoccupied spaces and Würthle’s unquenchable desire to make books.
A group exhibtition at mumok, Vienna invited artists to pair their work with objects from the museum collection, briefly reversing the flows of power at the heart of modernism.
On Thursday 23 March at despace berlin, our second panel with Tezos on art and Web3 takes on digital collecting, participatory engagement, and on-chain marketplaces.
As the blender of post-modernity makes an ever-smoother paste of our selves and our projections, Daniel Moldoveanu asks if we are becoming front-row voyeurs of a death we could prevent.
Views of Sanja Iveković, “Works of Heart (1974–2022),” Kunsthalle Wien, Vienna, 2022. All images courtesy: the artist and Kunsthalle Wien. Photos: Boris Cvjetanović
Tea Hacic-Vlahovic takes in 50 years of Sanja Iveković’s irreverent polymathy at Kunsthalle Wien, from fake-masturbating above Tito’s motorcade to publishing her mother’s poems.
