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Where do we stand in Europe today, as it drifts further and further to the right? We asked cultural figures from four countries about the influence of the political right on the arts. By Schorsch Kamerun, Karol Radziszewski, Eva Blimlinger and Gergely Nagy
A Summer Chronicle, part 6. NATASHA STAGG on the pressure to keep up with body trends, makeup masks in the sheets, and why we need to to stop talking about going to the gym.
Neoliberalism turned a hard-won freedom into a duty and everybody became an artist. If, in 1968, breaking with the family was a prerequisite to living as one wished, fifty years later it is back with redoubled force. Through highways and byways, we have come full circle. By Rob Horning
A Summer Chronicle, part 5. NATASHA STAGG on the conflicting worlds of the art scene and her garbage man boyfriend, and the economies of attraction between writers and fans
What are the exhibition spaces of the future? Hybrid museum buildings, domestic spaces that defy our transparent, commercialised world, or the urban fabric itself? Alessandro Bava on the rediscovered relevance of architecture and the desire for real experience.
![John Knight "A work in situ" (2016); Installationsansicht Foto: Rafael Hernandez](https://www.spikeartmagazine.com/sites/default/files/styles/medium/public/users/shared/articles/images/installation_john_knight-artchitecture.jpg?itok=OSGsOTdf "John Knight "A work in situ" (2016); Installationsansicht Foto: Rafael Hernandez")
