Crafting an alternative history of the twentieth century through cybernetics, psychedelia, and tarot, Suzanne Treister’s sprawling projects
trace a vertiginously networked world where everything is connected and nothing is meaningless. By Lars Bang Larsen
It’s undeniable that Chris Martin’s paintings resemble »outsider art«. Yet I like them not for being intuitive, or spiritual, or liberated from convention – although they are all these things – but because they are affectionate.