Ryan Trecartin

 Exhibition view of “Lizzie Fitch | Ryan Trecartin: Whether Line”, Fondazione Prada, 2019 Photo Andrea Rossetti. Courtesy Fondazione Prada Lizzie Fitch | Ryan Trecartin, Neighbor Dub, 2019 15 channel sound, Iron, epoxy powder paint, PVC, wood, stanchions

Exhibition view of “Lizzie Fitch | Ryan Trecartin: Whether Line”, Fondazione Prada, 2019
Photo Andrea Rossetti. Courtesy Fondazione Prada

Neighbor Dub, 2019
15 channel sound, Iron, epoxy powder paint, PVC, wood, stanchions

Jeppe Ugelvig reviews the duo’s latest multimedia-installation ”Whether Line”. Produced in rural Ohio, the ambitious project explores post-Trump American folklore through their neurotic and bewildering lens.

 Photo by Amalia Ulman

Photo by Amalia Ulman

What does it mean today to have a life with kids, to have a life in art, and to live a life? Why are children and the artist's life so hard to unite? Or is this a false assumption? Spike Art Daily dedicates a series of interviews to the problematic relationship that the art industry has with its offspring. In this interview Lauren Boyle and Marco Roso, two of the four members of DIS, talk about why the concept of family is just "too much for the art world" and the differences between raising kids in Berlin and New York.

 Visitor in front of  Hand on Breast  (1990) by Jeff Koons Deichtorhallen, Hamburg 1993 Photo: Angelika Leu-Barthel

Visitor in front of Hand on Breast (1990) by Jeff Koons
Deichtorhallen, Hamburg 1993
Photo: Angelika Leu-Barthel

The 1992 group show “Post Human” explored how the Internet, artificial intelligence, and plastic surgery were changing what it meant to be human. The exhibition‘s curator Jeffrey Deitch travels back into a past future.

 I Am Sion Sono!! Forum 2016 JPN 1984 von: Sion Sono

I Am Sion Sono!!
Forum 2016
JPN 1984
von: Sion Sono

Der Regisseur Max Linz findet die Vorgänger von Trecartin und Snapchat.