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#22 Winter 2009

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Why are art fairs so annoying? Is the time ripe for a 90s revival? Why is Wilhelm Schürmann one of Germany’s most influential collectors? These and other questions are raised in this issue. Also featuring portraits of the Rio de Janeiro based art project Capacete Entretenimentos, the “Museum of Everything” in London, Austrian artist Leopold Kessler, and Sarah Lucas.

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Rejection and Attraction

Daniel Baumann on the work of British artist Sarah Lucas, how her pieces were aimed at adverse presentation, how Penetralia moves away from that, and the newest sculptures, NUDS, appear to completely break away.

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The viral Internet is a rabbithole where the truth goes to die. Some of us want to be seen and others don’t. In this issue we feature a selection of contemporary archetypes, among them the refugee, the one-percenter, and the thief.

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#57 Autumn 2018
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#57 Autumn 2018

#26 Winter 2010
Curator Adam Carr investigates the influence of domestic space on the artistic mindset. Andreas Schlaegel asks how much advertising art can tolerate. Raimar Stange believes Paul Gernes is one of the most underappreciated trailblazers of contemporary art. Joanna Fiduccia writes about the meaning of the machine in the work of German artist...

#26 Winter 2010

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#66 Winter 2020/21
Here’s what we wanted: a deep, personal, painful appraisal of the art world as we know it. Some of us hate it, some love it, and many depend on its continued survival. When we posed this to our writers, they threw the kitchen sink at us: folklore, failure, fantasy, and wait for it ... God! It’s the Therapy Issue. And we’re still blaming...

#66 Winter 2020/21

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