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Mary Heilmann Hauser Wirth

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#34 Winter 2012

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Pablo Léon de la Barra sends us a long letter from Tripoli and Jon Leon writes about the fashionable rise of the visor. Pablo Larios portrays the Berlin-based artist Simon Denny. Bruce Hainley talks to painter Brian Calvin about his collaboration with Raf Simons. We visit the project gallery “curated by”, Ed Ruscha in Vienna, and the artist collective Am Nuden Da in London.

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Bernadette Corporation „2000 Wasted Years"
A sprawling, multi-panel chronology of Bernadette Corporation’s history included in their current retrospective at Artists Space pinpoints their formation in SoHo in 1993 as the initiative of one »Bernadette« and some others active in the neighborhood club culture.
Smart Devolutions: Simon Denny between current paranoia and progress

At what point does critique become collusion? Does the visualization of a network, a corporate ideology, or an advertising slogan assimilate the viewer into its logic? Critical and complicit by turns, Simon Denny works with academics, corporate entities, and re-found institutions, as well as with artists then and now. His installations archive, subsume and re-visualize their structures and methodologies. Pablo Larios explores how the Berlin-based, New Zealand-born artist reformulates questions of form and representation in his material excavations of current paranoia and progress.

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#66 Winter 2020/21
Here’s what we wanted: a deep, personal, painful appraisal of the art world as we know it. Some of us hate it, some love it, and many depend on its continued survival. When we posed this to our writers, they threw the kitchen sink at us: folklore, failure, fantasy, and wait for it ... God! It’s the Therapy Issue. And we’re still blaming...

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