#55 Spring 2018
Brands such as Y/Project, Telfar and Vetements have found new ways to pick up where the designers of the 90s left off. Aided by strategies borrowed from art, they are transforming the fashion system from within and widening its boundaries beyond recognition. Fashion is succeeding precisely where art is not, wresting autonomy out of enormous political and social shifts. Is it now art’s turn to learn from fashion?
Rachel Whiteread at Belvedere 21 by Kimberly Bradley, Bruno Gironcoli at mumok and Galerie Krinzinger by Maximilian Geymüller, Lindsay Lawson at Lisa Kandlhofer and Ydessa Hendeles at Kunsthalle Wien by Gianna Prein
Arthur Jafa at Julia Stoschek Collection and "Left Performance Histories" at NGBK by Alexander Scrimgeour, Ellen Cantor at Galerie Isabella Bortolozzi by Barbara Piwowarska, Guy Bourdin at Museum für Fotografie by Robert Schulte
Jean-Michel Basquiat at Schirn, Rubens at Städel Museum and "I am here to learn" at Frankfurter Kunstverein by Klaus Speidel
Charles Atlas at Migros Museum and Ramaya Tegegne at Galerie Maria Bernheim by Julia Moritz and a preview on "Fashion Drive" at Kunsthaus Zürich by Rita Vitorelli
"Counter Investigations: Forensic Architecture" at ICA and Laurie Simmons at Amanda Wilkinson Gallery by Billie Muraben, Sondra Perry at Serpentine Sackler Gallery by Lorena Muñoz-Alonso
Jean Luc Godard at Miguel Abreu Gallery by Felix Bernstein, LaToya Ruby Frazier at Gavin Brown's enterprise by Alison Gingeras, Juan Antonio Olivares at Whitney Museum by Dean Kissick
Charlemagne Palestine at 365 Mission and Nina Könnemann at House of Gaga by Keith J. Varadi, Hannah Hoffman Gallery by Andrew Berardini, Hayden Dunham by Arshy Azizi
by Krist Gruijthuijsen, Hanna Putz, Juan Pablo Larraín, Nhu Duong, Romina Farkas
from Sydney by Rare Candy
By Yves Saint Laurent, pelican avenue, Torbjørn Rødland, Johannes Schweiger, Puppies Puppies
Kaat Debo, director of the Antwerp Fashion Museum MoMu on Dan Flavin's Untitled (to the real Dan Hill) (1978)
