The Mosquito by Nina Beier

"Much like a tech product, the body appears to be programmed to start breaking down after a while. Most computers do this after approximately three years; with humans it is maybe more like 22 years. This hopeless condition has created countless bottled-up complaints. Worthless white noise. But seemingly following the Zen maxim of turning weaknesses into strengths, a middle-aged inventor came up with a device: the Mosquito, known in France as the Beethoven. This is an electromechanical device emitting sound at high frequency. Since the ability to hear high frequencies deteriorates in humans with age, this contraption is used as a safety and security tool, preventing youths from congregating in specific areas, as this insufferable sound can only be heard by people below 25 years of age." 

NINA BEIER is an artist currently based in New York.

Nina Beier
Mosquito

People
Marne Lucas and Pippa Garner, Get Out, Get Under , 2015, chromogenic print. Courtesy: artists

Marne Lucas and Pippa Garner, Get Out, Get Under, 2015, chromogenic print. Courtesy: the artists

Yummy Slurp! The Pippa Garner Story

A brazen challenge to four-cornered, high-gloss, post-war consumerism jump-started by customizing muscle cars has morphed into a career-long demolition of gender.

People
#57
Pippa Garner modeling works from her series “Shirt Storm”, 2017

Pippa Garner modeling works from her series “Shirt Storm,” 2017

“I own my brain, I own my biceps, my knees, my toes”: Pippa Garner

Back when she was still called Phil, Garner worked as a combat artist in the Vietnam War, before returning home to design ironic products for an unreal future. Several decades and one transition later, she talked to Fiona Alison Duncan about living in willed alienation for Spike #57.

Views
View of Kyle Thurman, “Accumulator,” SOPHIE TAPPEINER, Vienna, 2023

View of Kyle Thurman, “Accumulator,” Sophie Tappeiner, Vienna, 2023

Five-Star Review: Kyle Thurman

Ramona Heinlein pokes her head into Sophie Tappeiner, Vienna to scope out Kyle Thurman’s neon pentimentos of Iron Man and Wilhelm Reich.

Spike Events
Skulpi Magazine, Issue V

Skulpi Magazine, Issue V

Spike Event: Release Party of Skulpi V

Join us at Spike Berlin at 7pm on Friday, 24 November for the release of the 5th installment of Roman Schramm’s occasional magazine Skulpi. With a live cello performance from Schloss Mirabell.

Views
#77
Jonathan Lyndon Chase, The Shape Up , 2023. Installation view, Artists Space, New York, 2023. All images courtesy: the artist and Artists Space, New York. Photo: Filip Wolak

Jonathan Lyndon Chase, The Shape Up, 2023. Installation view, Artists Space, New York, 2023. All images courtesy: the artist and Artists Space, New York. Photo: Filip Wolak

Every Day’s Joys

In New York, lavish acrylics, plush sculptures, and soft-skinned poems by Jonathan Lyndon Chase re-style Artists Space as a neighborhood barbershop and the barber as a consummate artist.

Discourse

Phoebe Philo Fall/Winter 2023

Theory of Style: On Texture

Can luxurious prose provoke a desire for expensive clothes, or is all luxury now “quiet”? In her November column, Joanna Walsh discusses Phoebe Philo’s debut, silent mythological girls, and Walter Benjamin’s take on TikTok.

People
#67
Ligia Lewis, Water Will (in Melody) , Performance Space New York, 2019. Courtesy: the artist. Pgoro: Maria Baranova

Ligia Lewis, Water Will (in Melody), Performance Space New York, 2019. Courtesy: the artist. Photo: Maria Baranova

Sharpening My Tools: Ligia Lewis

With evasive manoeuvres on darkened stages, Ligia Lewis and her dancers resist the arrest of the Black body in motion. Ahead of a retrospective at HAU, Berlin, a lookback on her 2021 conversation with critic Tavia Nyong’o about the stakes of her fugitive dramaturgy.

Spike Events
Leyla Yenirce, Spcegrlsonacid , 2022, oil and silkscreen on canvas, 180 x 165 cm. Courtesy: the artist and Capitain Petzel, Berlin

Leyla Yenirce, Spcegrlsonacid, 2022, oil and silkscreen on canvas, 180 x 165 cm.

Artist Talk: Leyla Yenirce

On Tuesday 21 NOVEMBER at Soho House Berlin, artist Leyla Yenirce speaks to Elisa R. Linn and Lennart Wolff about the arts of archiving and appropriation. 

Views
Sarah Friend, Lifeform Display Surface #3 (first generation) , 2021, silicone, iphone, custom webapp, and NFT, 15 x 15 x 10cm, from Lifeforms , Photo: Sarah Friend, Courtesy: Nagel Draxler

Sarah Friend, Lifeform Display Surface #3 (first generation), 2021, silicone, iphone, custom webapp, and NFT, 15 x 15 x 10cm, from Lifeforms, Photo: Sarah Friend, Courtesy: Nagel Draxler

Imperfecting Forms

An exhibition of NFT art at HEK, Basel pilots a variety of materializations of code-based work while benchmarking how quickly the blockchain genre is changing. 

Discourse
View of Hito Steyerl, “This is the Future,” Portland Art Museum, 2023. Courtesy: the artist; Andrew Kreps Gallery, New York; and Esther Schipper, Berlin. Photo: Mario Gallucci

View of Hito Steyerl, “This is the Future,” Portland Art Museum, 2023. Courtesy: the artist; Andrew Kreps Gallery, New York; and Esther Schipper, Berlin. Photo: Mario Gallucci

Absence of Mind: The Nature Documentary in the Age of AI

Is artificial intelligence natural, perhaps even inevitable? Drew Zeiba tabulates how K Allado-McDowell, Hito Steyerl, and ricky sallay zoker use predictive tech to pry open or close off our ecological futures.

Discourse
© No Agency

© No Agency

39 East Broadway Suite #604

When is a modeling agency more than a modeling agency? When “it’s a feeling.” Cara Schacter meta-texts a first-anniversary newsletter anthology from No Agency, NYC’s cloutiest new logo.

"Our identity could become an idol that we sculpt anew each morning from the digital clay"

The Downward Spiral: The Figure Cannot Hold