Allison Hewitt Ward

Decolonize This Place outside Kanders's home

Decolonize This Place outside Kanders's home

A Postmortem on the Whitney Biennial

Writing from New York, Allison Hewitt Ward takes a critical look at the events that shaped the controversy of the “Tear Gas Biennial” this summer and untangles the messy aftermath.

What can be changed through the twists and tweaks of design, architecture, technology, infra-structure, economics, or daily routines? How can the way we eat, learn, dress, live, and talk be a way to renew ourselves, and so too our society, from the ground up? Given that a different present is almost impossible to imagine and utopia is...

Harmony Hammond at The Aldrich Contemporary Art Museum by Ariella Wolens; Alice Neel at David Zwirner and “Revolution from Without ...” by Allison Hewitt Ward; “Tobias Wong, Untitled (Golden)…” at Bureau of General Services by

Allison Hewitt Ward

A Postmortem on the Whitney Biennial

#59 Spring 2019

Views USA

Views USA

#75 The Museum Issue