Andrew Berardini

 La Intermundial Holobiente, Theaterschlag , 2022. Installation view, documenta 15, 2022. Photo: Nils Klinger

La Intermundial Holobiente, Theaterschlag, 2022. Installation view, documenta 15, 2022. Photo: Nils Klinger

We asked curators and writers about the BDS(M) scandal and they predicted documenta’s future.

 Agus Nur Amal PMTOH, Tritangtu , 2022. Installation view, documenta 15, 2022. Photo: Nils Klinger.

Agus Nur Amal PMTOH, Tritangtu, 2022. Installation view, documenta 15, 2022. Photo: Nils Klinger.

We asked curators and writers about the Taring Padi controversy and about identitarian art.

 Hamja Ahsan, documenta Fried Chicken , 2022. Installation view, documenta 15, 2022. Photo: Frank Sperling

Hamja Ahsan, documenta Fried Chicken, 2022. Installation view, documenta 15, 2022. Photo: Frank Sperling

We asked writers and curators about the interesting and distressing aspects of documenta 15.

Three of the food technology industry’s avant-garde – Todd Huffman, Ryan Bethencourt and Jayar La Fontaine – talk with Andrew Berardini about our lab-grown diet of the future

Andrew Berardini on Jimmie Durham's retrospective at the Hammer Museum in Los Angeles

 I am an artwork and I am 3 years old ,  2004 Acrylic paint on wall and box Courtesy die Künstlerin und kaufmann repetto, Milan/New York

I am an artwork and I am 3 years old, 2004, acrylic paint on wall and box
Courtesy die Künstlerin und kaufmann repetto, Milan/New York

Lily van der Stokker's wall paintings and installations play on the decorative, the “nice” and the “girly”. Gossip, celebrity friends, and the always-dirty home find a place on the museum's walls, which become a diary full of colourful flowers and clouds. In this way, the artist has developed not only her own approach to image and text but also a feminist strategy: “Nonshouting Feminism” as she calls it.