This website uses cookies to help us give you the best experience when you visit our website. By continuing to use this website, you consent to our use of these cookies.
Isa Genzken at König Galerie by Dominikus Müller, Preis der Nationalgalerie by Chloe Stead, Parapolitics at HKW by Alexander Scrimgeour, Salvage Art Institute at BNKR in Munich by Daniela Stöppel, Alexander Kluge at Folkwang Museum in Essen by Moritz Scheper
The Austrian born artist and co-founder of the influential image blog VVORK (2006-2012) has never been interested in the difference between digital and real. In his work, he questions the privileged authority of established art institutions. By Chloe Stead
“Collected Attituded” at Fahrbereitschaft – Sammlung Haubrok by Mitch Speed, Michael Portnoy at the KW performance series “The Weekends” by Nick Currie, Micah Hesse at Neumeister Bar-Am by Chloe Stead, Candice Breitz at KOW by Chloe Stead
Status Quo Art School. How do art academies change in the course of a world run by a liberal-minded creative industries? How should art schools respond to the financialisation of higher education? Can art schools maintain their autonomy as sites of independent teaching and learning? In the first of a series of pieces tackling the future of art education to be published on Spike Online in the coming months, Chloe Stead writes on the student activists of Free Cooper Union and on protest as a learning experience.
Spike’s current editorial intern is angry. The art world doesn't pay its assistants and interns, so in her other life Chloe Stead serves burgers. She has found allies in artists and activists who oppose the culture of unpaid work and calls on us all to do the same.
