Dominikus Müller

In the roundtable in this issue, artist John Hill notes that if 2010 seemed like a time of abundance, 2019 feels like a time of scarcity. The 10s was a decade in which the bottom fell out of politics, and the art system lost its credibility. The wealthy got wealthier and disproved trickle-down economics. Communicating did not just mean...

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Oscar Murillo At Kunstverein in Hamburg by Dominikus Müller

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#59

The Washhouse of Blessey (1997-2007)

Landscape architectural redesign by the residents and the artist Rémy Zaugg

Alternative models for art patronage are emerging amidst the crisis of neoliberalism. Founded in 1990, New Patrons helps to articulate and realise citizens’ wishes for a public work of art, capable of more than just managing supply and demand. By Dominikus Müller

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#55

Shopping

Colette and the end of the concept store. By Dominikus Müller

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#55

Portrait Lukas Duwenhögger

Lukas Duwenhögger makes paintings that play with the tangled connections between the visible and invisible, desire and distance, transparency and opacity – all at the same time. By Dominikus Müller

We are in an interregnum, an in-between state where the old world is dying and the new struggles to be born. Colonies of bacteria are decomposing the white cube, automation will replace work, and a hope persists that digital space will produce a truly different art. The avant-garde is still alive, but as a stateless multitude that...

#54 Winter 2018

Views Germany

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#54

Views Germany

Isa Genzken at König Galerie by Dominikus Müller, Preis der Nationalgalerie by Chloe Stead, Parapolitics at HKW by Alexander Scrimgeour, Salvage Art Institute at BNKR in Munich by Daniela Stöppel, Alexander Kluge at Folkwang Museum in Essen by Moritz Scheper