Eva Scharrer

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#75
Still from LuYang, DOKU the Self , 2022, 3D animation film, 36 min. All images © LuYang. Courtesy: LuYang and Société, Berlin

Still from LuYang, DOKU the Self, 2022, 3D animation film, 36 min. All images © LuYang. Courtesy: LuYang and Société, Berlin

The Many Lives

New video works at Palais Populaire starring LuYang’s hyperreal, reincarnating avatar spell out their street-styled vision of mortal, spiritual, and virtual realms.

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Keti Koti parade at Sonsbeek 2021.  ©  Django van Ardenne

Keti Koti parade at Sonsbeek 2021. © Django van Ardenne

 

Sonsbeek 20→24: Force Times Distance

Listen up! That's the sound of resistance. Eva Scharrer visits Sonsbeek, where the weight of history echoes and resonates across Arnhem and beyond in an expansive exhibition.

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Aleksandra Domanović, Things to Come (2014) (detail). Photo: Ugnius Gelguda

Aleksandra Domanović, Things to Come (2014) (detail). Photo: Ugnius Gelguda

 

Think Global, Act Local

Eva Scharrer visits Baltic Triennial 14, searching for a stable sense of place amidst the (art)world’s dizzying reopening. But has geography ever really been immutable, or is change the only constant?

Offline Article

VIEWS BERLIN

The 11th Berlin Biennale for Contemporary Art, Various Locations; Matthew Lutz-Kinoy at Museum Frieder Burda – Salon Berlin; and Meriem Bennani at Julia Stoschek Collection

Offline Article
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Agnes Denes, Wheatfield – A Confrontation: Battery Park Landfill, Downtown Manhattan – With New York Financial Center , 1982

Agnes Denes, Wheatfield – A Confrontation: Battery Park Landfill, Downtown Manhattan – With New York Financial Center, 1982

VIEWS BERLIN

”Down To Earth“ at Gropius Bau, John Miller at Schinkel Pavillon, John Heartfield at Akademie der Künste 

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Keti Chukhrov / Guram Matskhonashvili,  Global Congress of Post-Prostitution , 2019, performance, Orpheum Graz, photo: Mathias Völzke

Keti Chukhrov / Guram Matskhonashvili, Global Congress of Post-Prostitution, 2019, performance, Orpheum Graz, photo: Mathias Völzke

Steirischer Herbst 2019: Grand Hotel Abyss

Eva Scharrer dives into this hedonistic iteration of Graz’s art and theatre festival and comes out wanting more of its provocative commentary

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#60
Adam Linder, She Clockwork , 2019 Performance, costume objects, and wallpaper

Adam Linder, She Clockwork, 2019 Performance, costume objects, and wallpaper

“Time, Forward!” at V-A-C Zattere

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Photo: Elmar Vestner

Photo: Elmar Vestner

"The biennale can function as a sign of solidarity with the art scene in Turkey"

An interview with Elmgreen & Dragset, the curators of the 15th Istanbul Biennale, by Eva Scharrer