Ingrid Luquet-Gad

Views

Paris Internationale 2022

Autumn in Paris: Welcome to the meta-fair

The 2022 Paris art fairs are all about glocal simulations and works full of text. Read Ingrid Luquet-Gad’s round-up.

Views

!Mediengruppe Bitnik, "Flagged for Political Speech", 2021

!Mediengruppe Bitnik, ”Flagged for Political Speech”, 2021

Flagged for lulz

Ingrid Luquet-Gad traces the spirit of politicised laughter in !Mediengruppe Bitnik’s ongoing series “Flagged for” for the May edition of Spike x Liste Expedition Monthly Picks.

Views

Andra Ursuta, Predators 'R Us (2020). Photo: Dario Lasagni. © Andra Ursuta. Courtesy the artist and David Zwirner

“Andra Ursuta: Void Fill” at David Zwirner Paris

Giving new meaning to “fetish objects”, the Romanian-born sculptor salvages the by-products of late capitalism, fashioning trash into marbled pastel mementos mori of consumption.

Views

Betty Tomkins,  She is… , 2018,  Just a Pretty Face,  2019,  Women Don't Have Killer Instinct , 2019. Courtesy of the artist, P·P·O·W, New York and rodolphe janssen, Brussels. © Betty Tompkins

Betty Tomkins, She is…, 2018, Just a Pretty Face, 2019, Women Don't Have Killer Instinct, 2019. Courtesy of the artist, P·P·O·W, New York and rodolphe janssen, Brussels. © Betty Tompkins

Fifty years after they broke onto the scene with their bold representations of female pleasure, two American feminist pioneers, Betty Tompkins and Marilyn Minter, are finally honoured with their first solo shows in France.

Views

Left to Right: Marija TeresėRožanskaitė, Flaka Haliti, AnnaDaučíková, Mladen Stilinović.

Left to Right: Marija Teresė Rožanskaitė, Flaka Haliti, Anna Daučíková, Mladen Stilinović.
Photo: Ugnius Gelguda

Situated Scenes

The neoliberal myth of total free-flow – of bodies, art, and capital – is dead, even as the press trip lives on. After a year spent tethered in place, Ingrid Luquet-Gad visits the 14th Baltic Triennial, searching for the balance between connectivity and context.

Offline Article