Max L. Feldman

Soshiro Matsubara,  A Tale of Romance , 2020 (detail), carpet, glazed ceramics, artificial hair, fabric, wood, light sphere, Carpet: 350 × 200 cm, Sculpture ca. 20 × 130 × 90 cm, Lamp ø 28

A Tale of Romance, 2020 (detail), carpet, glazed ceramics, artificial hair, fabric, wood, light sphere, Carpet: 350 × 200 cm, Sculpture ca. 20 × 130 × 90 cm, Lamp ø 28 cm

Soshiro Matsubara at Croy Nielsen, Vienna

Japanese-born, Vienna-based artist, Soshiro Matsubara is digging deep into the sordid past and affairs of Viennese love, loss, and revenge, at a recent show in the City of Music where heads were taken off, and Freud was keeping close watch.

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Noah Barker Could you visit me in dreams? ( 2018) © the crtist, Courtesy Galerie Nathalie Halgand and Green Naftali Gallery

Tony Cokes
Could you visit me in dreams? (2018)

"Could you visit me in dreams" curated by Attilia Fattori Franchini; © the artist, Courtesy the artist and Greene Naftali Gallery, New York

curated by_vienna 2018

A review by Max L. Feldman

The culture wars are raging. Neoliberalism and right-wing populism have co-opted the critique of the 1960s and turned it against art, science and the democratic public sphere, while the left is consumed by infighting. This issue is about the return to battle, strategies of (dis-)engagement, and the question of what art is capable of in...

#56 Summer 2018

Views Vienna

Offline Article

#56

Views Vienna

Bouchra Khalili at Secession and Gabriele Senn Galerie by Max L. Feldman, Katharina Schilling at Nathalie Halgand by Gianna Prein and an interview with Liam Gillick on his project with New Order by Rita Vitorelli

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Lena Henke
The other object (self-portrait yellow) (2018)

Silkscreen on aluminium
180 x 120 cm

Opening: Lena Henke at Emanuel Layr

An interview with the artist as she puts the finishing touches to her solo exhibition "THEMOVE", opening at Galerie Emanuel Layr in Vienna on 14 May, 2018

The borders of fiction and reality are slipping ever further. A lot of what is behind the images on our screens remains hidden: their political utility; the algorithms through which they appear; the source of their magic. How does that change the nature of the exhibition? Is it moving from the white cube into virtual realms, into the...

#52 Summer 2017

Views Austria

#52

Views Austria

VIENNA: Martin Beck at Mumok by Maximilian Geymüller, Ben Schumacher at Croy Nielsen by Max L. Feldman, Helmut Lang at Sammlung Friedrichshof Zurndorf / Stadtraum Wien by Christian Egger; GRAZ: Stephan Dillemuth at Künstlerhaus, Halle für Kunst & Medien by Melissa Canbaz