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Views of Sanja Iveković, “Works of Heart (1974–2022),” Kunsthalle Wien, Vienna, 2022. All images courtesy: the artist and Kunsthalle Wien. Photos: Boris Cvjetanović
Tea Hacic-Vlahovic takes in 50 years of Sanja Iveković’s irreverent polymathy at Kunsthalle Wien, from fake-masturbating above Tito’s motorcade to publishing her mother’s poems.
Tea Hacic-Vlahovic has written Spike’s society column, “Gesellschaft am Ende”, since the summer of 2021. It’s time it gets from the paper to the World Wide Web. We start from the start, Spike #68.