Early Access: Berlin Biennale shot by Neven Allgeier / Part 2

Korakrit Arunanondchai / Alex-Gvojic, /There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction)/, 2016 /Blue-Star sightseeing boat

Korakrit Arunanondchai / Alex-Gvojic, There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction), 2016 /Blue-Star sightseeing boat

Korakrit Arunanondchai / Alex-Gvojic, /There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction)/, 2016 /Blue-Star sightseeing boat

Korakrit Arunanondchai / Alex-Gvojic, There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction), 2016 /Blue-Star sightseeing boat

Korakrit Arunanondchai / Alex-Gvojic, /There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction)/, 2016 /Blue-Star sightseeing boat

Korakrit Arunanondchai / Alex-Gvojic, There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction), 2016 /Blue-Star sightseeing boat

GCC, /Positive-Pathways (+)/, 2016 /ESMT European School of Management and Technology business school 


GCC, Positive-Pathways (+), 2016 /ESMT European School of Management and Technology business school 

GCC, /Positive-Pathways (+)/, 2016 /ESMT European School of Management and Technology business school 

GCC, Positive-Pathways (+), 2016 /ESMT European School of Management and Technology business school 

Simon Denny / Linda Kantchev, /Blockchain Visionaries,/ 2016 /ESMT European School of Management and Technology business school 

Simon Denny / Linda Kantchev, Blockchain Visionaries, 2016 /ESMT European School of Management and Technology business school 

Simon Denny / Linda Kantchev, /Blockchain Visionaries,/ 2016 /ESMT European School of Management and Technology business school 

Simon Denny / Linda Kantchev, Blockchain Visionaries, 2016 /ESMT European School of Management and Technology business school 

Simon Denny / Linda Kantchev, /Blockchain Visionaries,/ 2016 /ESMT European School of Management and Technology business school 

Simon Denny / Linda Kantchev, Blockchain Visionaries, 2016 /ESMT European School of Management and Technology business school 

Katja Novitskova, /Neolithic Potential (fire worship, spiral horns)/, 2016 /ESMT European School of Management and Technology business school   

Katja Novitskova, Neolithic Potential (fire worship, spiral horns), 2016 /ESMT European School of Management and Technology business school 
 

Katja Novitskova, /Neolithic Potential (fire worship, yellow horns)/, 2016 /ESMT European School of Management and Technology business school   

Katja Novitskova, Neolithic Potential (fire worship, yellow horns), 2016 /ESMT European School of Management and Technology business school 
 

Babak Radboy, /Not in the Berlin Biennale,/ 2016 / TELFAR, Personal Uniforms, 2016 /KW Institute for Contemporary Art

Babak Radboy, Not in the Berlin Biennale, 2016 / TELFAR, Personal Uniforms, 2016 /KW Institute for Contemporary Art

Babak Radboy, /Not in the Berlin Biennale,/ 2016 / TELFAR, Personal Uniforms, 2016 /KW Institute for Contemporary Art

Babak Radboy, Not in the Berlin Biennale, 2016 / TELFAR, Personal Uniforms, 2016 /KW Institute for Contemporary Art

Julien-Ceccaldi, /Monument Right/, 2016 /KW Institute for Contemporary Art  

Julien-Ceccaldi, Monument Right, 2016 /KW Institute for Contemporary Art
 

Anne de Vries, /Critical Mass: Pure Immanence/, 2015 /KW Institute for Contemporary Art  

Anne de Vries, Critical Mass: Pure Immanence, 2015 /KW Institute for Contemporary Art
 

Cécile B. Evans, /What the Heart Wants/, 2016 /KW Institute for Contemporary Art  

Cécile B. Evans, What the Heart Wants, 2016 /KW Institute for Contemporary Art
 

Âyr, /Architecture/, 2016 /KW Institute for Contemporary Art  

Âyr, Architecture, 2016 /KW Institute for Contemporary Art
 

Âyr, /Architecture/, 2016 /KW Institute for Contemporary Art  

Âyr, Architecture, 2016 /KW Institute for Contemporary Art
 

Camille Henrot, /Office of unreplied emails/, 2016 /KW Institute for Contemporary Art  

Camille Henrot, Office of unreplied emails, 2016 /KW Institute for Contemporary Art
 

Lucie Stahl, /Untitled/, 2016 /KW Institute for Contemporary Art  

Lucie Stahl, Untitled, 2016 /KW Institute for Contemporary Art
 

Wu Tsang, /Duilian/, 2016 /KW Institute for Contemporary Art  

Wu Tsang, Duilian, 2016 /KW Institute for Contemporary Art
 

Shawn Maximo, /#3/, 2016 /KW Institute for Contemporary Art  

Shawn Maximo, #3, 2016 /KW Institute for Contemporary Art
 

Shawn Maximo, /#3/, 2016 /KW Institute for Contemporary Art  

Shawn Maximo, #3, 2016 /KW Institute for Contemporary Art
 

Amalia Ulman, /Privilege/, 2016 /KW Institute for Contemporary Art  

Amalia Ulman, Privilege, 2016 /KW Institute for Contemporary Art
 

Babak Radboy, /Not in the Berlin Biennale,/ 2016 / TELFAR, Personal Uniforms, 2016 /KW Institute for Contemporary Art

Babak Radboy, Not in the Berlin Biennale, 2016 / TELFAR, Personal Uniforms, 2016 /KW Institute for Contemporary Art

Adrian Piper, /Everything#5.1/, 2004 /KW Institute for Contemporary Art  

Adrian Piper, Everything#5.1, 2004 /KW Institute for Contemporary Art
 

Korakrit Arunanondchai / Alex-Gvojic, There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction), 2016 /Blue-Star sightseeing boat

Korakrit Arunanondchai / Alex-Gvojic, There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction), 2016 /Blue-Star sightseeing boat

Korakrit Arunanondchai / Alex-Gvojic, There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction), 2016 /Blue-Star sightseeing boat

GCC, Positive-Pathways (+), 2016 /ESMT European School of Management and Technology business school 

GCC, Positive-Pathways (+), 2016 /ESMT European School of Management and Technology business school 

Simon Denny / Linda Kantchev, Blockchain Visionaries, 2016 /ESMT European School of Management and Technology business school 

Simon Denny / Linda Kantchev, Blockchain Visionaries, 2016 /ESMT European School of Management and Technology business school 

Simon Denny / Linda Kantchev, Blockchain Visionaries, 2016 /ESMT European School of Management and Technology business school 

Katja Novitskova, Neolithic Potential (fire worship, spiral horns), 2016 /ESMT European School of Management and Technology business school 
 

Katja Novitskova, Neolithic Potential (fire worship, yellow horns), 2016 /ESMT European School of Management and Technology business school 
 

Babak Radboy, Not in the Berlin Biennale, 2016 / TELFAR, Personal Uniforms, 2016 /KW Institute for Contemporary Art

Babak Radboy, Not in the Berlin Biennale, 2016 / TELFAR, Personal Uniforms, 2016 /KW Institute for Contemporary Art

Julien-Ceccaldi, Monument Right, 2016 /KW Institute for Contemporary Art
 

Anne de Vries, Critical Mass: Pure Immanence, 2015 /KW Institute for Contemporary Art
 

Cécile B. Evans, What the Heart Wants, 2016 /KW Institute for Contemporary Art
 

Âyr, Architecture, 2016 /KW Institute for Contemporary Art
 

Âyr, Architecture, 2016 /KW Institute for Contemporary Art
 

Camille Henrot, Office of unreplied emails, 2016 /KW Institute for Contemporary Art
 

Lucie Stahl, Untitled, 2016 /KW Institute for Contemporary Art
 

Wu Tsang, Duilian, 2016 /KW Institute for Contemporary Art
 

Shawn Maximo, #3, 2016 /KW Institute for Contemporary Art
 

Shawn Maximo, #3, 2016 /KW Institute for Contemporary Art
 

Amalia Ulman, Privilege, 2016 /KW Institute for Contemporary Art
 

Babak Radboy, Not in the Berlin Biennale, 2016 / TELFAR, Personal Uniforms, 2016 /KW Institute for Contemporary Art

Adrian Piper, Everything#5.1, 2004 /KW Institute for Contemporary Art
 

The photographer Neven Allgeier took a whistlestop tour of the 9th Berlin Biennale, curated by DIS. Part 2: Blue-Star sightseeing boat, ESMT European School of Management and Technology business school and KW Institute for Contemporary Art

Neven Allgeier is a photographer from Frankfurt. 

www.ruine.biz

See part one here.

 

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Neven Allgeier
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Berlin Biennale
DIS
KW Institute for Contemporary Art

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Marne Lucas and Pippa Garner, Get Out, Get Under , 2015, chromogenic print. Courtesy: artists

Marne Lucas and Pippa Garner, Get Out, Get Under, 2015, chromogenic print. Courtesy: the artists

Yummy Slurp! The Pippa Garner Story

A brazen challenge to four-cornered, high-gloss, post-war consumerism jump-started by customizing muscle cars has morphed into a career-long demolition of gender.

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Pippa Garner modeling works from her series &ldquo;Shirt Storm&rdquo;, 2017

Pippa Garner modeling works from her series “Shirt Storm,” 2017

“I own my brain, I own my biceps, my knees, my toes”: Pippa Garner

Back when she was still called Phil, Garner worked as a combat artist in the Vietnam War, before returning home to design ironic products for an unreal future. Several decades and one transition later, she talked to Fiona Alison Duncan about living in willed alienation for Spike #57.

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View of Kyle Thurman, &ldquo;Accumulator,&rdquo; SOPHIE TAPPEINER, Vienna, 2023

View of Kyle Thurman, “Accumulator,” Sophie Tappeiner, Vienna, 2023

Five-Star Review: Kyle Thurman

Ramona Heinlein pokes her head into Sophie Tappeiner, Vienna to scope out Kyle Thurman’s neon pentimentos of Iron Man and Wilhelm Reich.

Spike Events
Skulpi Magazine, Issue V

Skulpi Magazine, Issue V

Spike Event: Release Party of Skulpi V

Join us at Spike Berlin at 7pm on Friday, 24 November for the release of the 5th installment of Roman Schramm’s occasional magazine Skulpi. With a live cello performance from Schloss Mirabell.

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#77
Jonathan Lyndon Chase, The Shape Up , 2023. Installation view, Artists Space, New York, 2023. All images courtesy: the artist and Artists Space, New York. Photo: Filip Wolak

Jonathan Lyndon Chase, The Shape Up, 2023. Installation view, Artists Space, New York, 2023. All images courtesy: the artist and Artists Space, New York. Photo: Filip Wolak

Every Day’s Joys

In New York, lavish acrylics, plush sculptures, and soft-skinned poems by Jonathan Lyndon Chase re-style Artists Space as a neighborhood barbershop and the barber as a consummate artist.

Discourse

Phoebe Philo Fall/Winter 2023

Theory of Style: On Texture

Can luxurious prose provoke a desire for expensive clothes, or is all luxury now “quiet”? In her November column, Joanna Walsh discusses Phoebe Philo’s debut, silent mythological girls, and Walter Benjamin’s take on TikTok.

People
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Ligia Lewis, Water Will (in Melody) , Performance Space New York, 2019. Courtesy: the artist. Pgoro: Maria Baranova

Ligia Lewis, Water Will (in Melody), Performance Space New York, 2019. Courtesy: the artist. Photo: Maria Baranova

Sharpening My Tools: Ligia Lewis

With evasive manoeuvres on darkened stages, Ligia Lewis and her dancers resist the arrest of the Black body in motion. Ahead of a retrospective at HAU, Berlin, a lookback on her 2021 conversation with critic Tavia Nyong’o about the stakes of her fugitive dramaturgy.

Spike Events
Leyla Yenirce, Spcegrlsonacid ,&nbsp;2022, oil and silkscreen on canvas,&nbsp;180 x 165 cm. Courtesy: the artist and Capitain Petzel, Berlin

Leyla Yenirce, Spcegrlsonacid, 2022, oil and silkscreen on canvas, 180 x 165 cm.

Artist Talk: Leyla Yenirce

On Tuesday 21 NOVEMBER at Soho House Berlin, artist Leyla Yenirce speaks to Elisa R. Linn and Lennart Wolff about the arts of archiving and appropriation. 

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Sarah Friend, Lifeform Display Surface #3 (first generation) , 2021, silicone, iphone, custom webapp, and NFT, 15 x 15 x 10cm, from Lifeforms , Photo: Sarah Friend, Courtesy: Nagel Draxler

Sarah Friend, Lifeform Display Surface #3 (first generation), 2021, silicone, iphone, custom webapp, and NFT, 15 x 15 x 10cm, from Lifeforms, Photo: Sarah Friend, Courtesy: Nagel Draxler

Imperfecting Forms

An exhibition of NFT art at HEK, Basel pilots a variety of materializations of code-based work while benchmarking how quickly the blockchain genre is changing. 

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View of Hito Steyerl, &ldquo;This is the Future,&rdquo; Portland Art Museum, 2023. Courtesy: the artist; Andrew Kreps Gallery, New York; and Esther Schipper, Berlin. Photo: Mario Gallucci

View of Hito Steyerl, “This is the Future,” Portland Art Museum, 2023. Courtesy: the artist; Andrew Kreps Gallery, New York; and Esther Schipper, Berlin. Photo: Mario Gallucci

Absence of Mind: The Nature Documentary in the Age of AI

Is artificial intelligence natural, perhaps even inevitable? Drew Zeiba tabulates how K Allado-McDowell, Hito Steyerl, and ricky sallay zoker use predictive tech to pry open or close off our ecological futures.

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When is a modeling agency more than a modeling agency? When “it’s a feeling.” Cara Schacter meta-texts a first-anniversary newsletter anthology from No Agency, NYC’s cloutiest new logo.

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