Early Access: Berlin Biennale shot by Neven Allgeier / Part 2

Korakrit Arunanondchai / Alex-Gvojic, There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction), 2016 /Blue-Star sightseeing boat

Korakrit Arunanondchai / Alex-Gvojic, There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction), 2016 /Blue-Star sightseeing boat

Korakrit Arunanondchai / Alex-Gvojic, There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction), 2016 /Blue-Star sightseeing boat

GCC, Positive-Pathways (+), 2016 /ESMT European School of Management and Technology business school

GCC, Positive-Pathways (+), 2016 /ESMT European School of Management and Technology business school

Simon Denny / Linda Kantchev, Blockchain Visionaries, 2016 /ESMT European School of Management and Technology business school

Simon Denny / Linda Kantchev, Blockchain Visionaries, 2016 /ESMT European School of Management and Technology business school

Simon Denny / Linda Kantchev, Blockchain Visionaries, 2016 /ESMT European School of Management and Technology business school

Katja Novitskova, Neolithic Potential (fire worship, spiral horns), 2016 /ESMT European School of Management and Technology business school

Katja Novitskova, Neolithic Potential (fire worship, yellow horns), 2016 /ESMT European School of Management and Technology business school

Babak Radboy, Not in the Berlin Biennale, 2016 / TELFAR, Personal Uniforms, 2016 /KW Institute for Contemporary Art

Babak Radboy, Not in the Berlin Biennale, 2016 / TELFAR, Personal Uniforms, 2016 /KW Institute for Contemporary Art

Julien-Ceccaldi, Monument Right, 2016 /KW Institute for Contemporary Art

Anne de Vries, Critical Mass: Pure Immanence, 2015 /KW Institute for Contemporary Art

Cécile B. Evans, What the Heart Wants, 2016 /KW Institute for Contemporary Art

Âyr, Architecture, 2016 /KW Institute for Contemporary Art

Âyr, Architecture, 2016 /KW Institute for Contemporary Art

Camille Henrot, Office of unreplied emails, 2016 /KW Institute for Contemporary Art

Lucie Stahl, Untitled, 2016 /KW Institute for Contemporary Art

Wu Tsang, Duilian, 2016 /KW Institute for Contemporary Art

Shawn Maximo, #3, 2016 /KW Institute for Contemporary Art

Shawn Maximo, #3, 2016 /KW Institute for Contemporary Art

Amalia Ulman, Privilege, 2016 /KW Institute for Contemporary Art

Babak Radboy, Not in the Berlin Biennale, 2016 / TELFAR, Personal Uniforms, 2016 /KW Institute for Contemporary Art

Adrian Piper, Everything#5.1, 2004 /KW Institute for Contemporary Art

Korakrit Arunanondchai / Alex-Gvojic, There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction), 2016 /Blue-Star sightseeing boat

Korakrit Arunanondchai / Alex-Gvojic, There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction), 2016 /Blue-Star sightseeing boat

Korakrit Arunanondchai / Alex-Gvojic, There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction), 2016 /Blue-Star sightseeing boat

GCC, Positive-Pathways (+), 2016 /ESMT European School of Management and Technology business school

GCC, Positive-Pathways (+), 2016 /ESMT European School of Management and Technology business school

Simon Denny / Linda Kantchev, Blockchain Visionaries, 2016 /ESMT European School of Management and Technology business school

Simon Denny / Linda Kantchev, Blockchain Visionaries, 2016 /ESMT European School of Management and Technology business school

Simon Denny / Linda Kantchev, Blockchain Visionaries, 2016 /ESMT European School of Management and Technology business school

Katja Novitskova, Neolithic Potential (fire worship, spiral horns), 2016 /ESMT European School of Management and Technology business school

Katja Novitskova, Neolithic Potential (fire worship, yellow horns), 2016 /ESMT European School of Management and Technology business school

Babak Radboy, Not in the Berlin Biennale, 2016 / TELFAR, Personal Uniforms, 2016 /KW Institute for Contemporary Art

Babak Radboy, Not in the Berlin Biennale, 2016 / TELFAR, Personal Uniforms, 2016 /KW Institute for Contemporary Art

Julien-Ceccaldi, Monument Right, 2016 /KW Institute for Contemporary Art

Anne de Vries, Critical Mass: Pure Immanence, 2015 /KW Institute for Contemporary Art

Cécile B. Evans, What the Heart Wants, 2016 /KW Institute for Contemporary Art

Âyr, Architecture, 2016 /KW Institute for Contemporary Art

Âyr, Architecture, 2016 /KW Institute for Contemporary Art

Camille Henrot, Office of unreplied emails, 2016 /KW Institute for Contemporary Art

Lucie Stahl, Untitled, 2016 /KW Institute for Contemporary Art

Wu Tsang, Duilian, 2016 /KW Institute for Contemporary Art

Shawn Maximo, #3, 2016 /KW Institute for Contemporary Art

Shawn Maximo, #3, 2016 /KW Institute for Contemporary Art

Amalia Ulman, Privilege, 2016 /KW Institute for Contemporary Art

Babak Radboy, Not in the Berlin Biennale, 2016 / TELFAR, Personal Uniforms, 2016 /KW Institute for Contemporary Art

Adrian Piper, Everything#5.1, 2004 /KW Institute for Contemporary Art
The photographer Neven Allgeier took a whistlestop tour of the 9th Berlin Biennale, curated by DIS. Part 2: Blue-Star sightseeing boat, ESMT European School of Management and Technology business school and KW Institute for Contemporary Art
Neven Allgeier is a photographer from Frankfurt.
See part one here.
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