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Cady Noland is a prime example of exit from the art world, yet her work from the 80s and 90s about the violent sides of America remains eloquent. This is Tanya, titled after the nom de guerre of William Randolph Hearst’s granddaughter, who was kidnapped by the Symbionese Liberation Army in the mid-70s and joined the group.
Now that the human is no longer central to history – replaced, instead, by networks and systems – we need to reconsider the old question “What is to be done?” It’s never been harder to make your own rules for how to act. How to continue? Acceleration or exit? Lars Bang Larsen thinks these are false alternatives and searches for new, fluid forms of action.
