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In her new column "User Error," Spike Editor-at-Large Adina Glickstein charts the volatility of love and the crypto market, and finds solace in nightcore and Avril Lavigne conspiracy theories.
Taking place at Haus der Kulturen der Welt in Berlin "Technosphere, Now" was the inaugural event of a four-year research project into global technology and its identity. Our writer visited the one-day conference, thought about Berghain and water on Mars, and was left with some answers and a lot of questions.
Last weekend, dancer and choreographer Boris Charmatz hypothetically transformed Tate Modern into Musée de la danse. Our editor-at-large was harbouring some reservations about this new democratic participatory art, but found it surprisingly moving.
During the summer months Timo Feldhaus visited major art events in Cologne, Vienna and Basel, as well as Berghain in Berlin. Everywhere he found the same things: a need for immediate bodily experience and intensity; viewers looking to art for kicks; exhibitions that made no effort at subtlety but sought to hit everyone openly in the gut; and a refashioned performance art, adapted to suit our daily compulsion to perform.
![Katonah Yoga "Wraps for Rapture"](https://www.spikeartmagazine.com/sites/default/files/styles/medium_square_400/public/users/shared/articles/images/katonah_yog_22wraps_for_rapture22_diagram_cropped.jpg?itok=Drdam04r "Katonah Yoga "Wraps for Rapture"")
![BMW Tate Live 2015 – "If Tate Modern was Musée de la danse?" Olivia Hemingway ©Tate Photography](https://www.spikeartmagazine.com/sites/default/files/styles/medium/public/users/shared/articles/images/bmw_tate_live_2015_-_if_tate_modern_was_musee_de_la_danse_olivia_hemingway_ctate_photography_-_3_copy.jpg?itok=zCA5NhRJ "BMW Tate Live 2015 – "If Tate Modern was Musée de la danse?" Olivia Hemingway ©Tate Photography")
