Christopher Wool

In his monthly column, Dean Kissick examines the culture of a collapsing society.

 "Untitled", 2012; Oil, paper on canvas, 230 x 180 cm

"Untitled", 2012; Oil, paper on canvas, 230 x 180 cm; © Albert Oehlen, Courtesy Gagosian Gallery; Photo: Lothar Schnepf

Like almost no other artist, Albert Oehlen subjects painting to a stress test. For over 30 years he’s been tinkering with the medium’s source code: colour and paint application, lines and layers, titles and triumphs, disappointments and expectations. These elements are all played against one another and caught off guard. Daniel Baumann leads us through the work.

 BMW Tate Live 2015 – "If Tate Modern was Musée de la danse?" Olivia Hemingway ©Tate Photography

BMW Tate Live 2015 – "If Tate Modern was Musée de la danse?" Olivia Hemingway ©Tate Photography

Last weekend, dancer and choreographer Boris Charmatz hypothetically transformed Tate Modern into Musée de la danse. Our editor-at-large was harbouring some reservations about this new democratic participatory art, but found it surprisingly moving.