This website uses cookies to help us give you the best experience when you visit our website. By continuing to use this website, you consent to our use of these cookies.
Crypto-acolytes promise nothing short of utopia – but how do the realities of the NFT art market stand up to this enthusiasm? Domenico Quaranta takes these optimistic claims to task, all without losing sight of the promising potential that remains amidst the contradiction.
Rafaël Rozendaal has been making digital art for two decades, and he’s unfazed by the rise of Web3. In this conversation with Spike, he explores how websites are like poetry, dishes some lessons in exhibiting digital work, and argues in favour of keeping the punk spirit alive in NFTs.
Ready to wade into tokenised waters, but feeilng overwhelmed by the big Open Sea? Let Spike be your guide: here are our favourite marketplaces, platforms, and protocols for cryptoart.
![Distributed Gallery Chaos Machine (2018) Installation view, "Proof of Work", Schinkel Pavillon, 2018. Photo: Hans-Georg Gaul](https://www.spikeartmagazine.com/sites/default/files/styles/medium/public/users/shared/articles/images/180907_denny_009_2.jpg?itok=St0Fbyty "Distributed Gallery Chaos Machine (2018) Installation view, "Proof of Work", Schinkel Pavillon, 2018. Photo: Hans-Georg Gaul")