Hans Haacke

 Hans Haacke Condensation Cube , 1963–65 © Generali Foundation / VBK, Wien 2013 Photo: Werner Kaligofs

Hans Haacke
Condensation Cube
1963–65
© Generali Foundation / VBK, Wien 2013
Photo: Werner Kaligofs

One of the fundamental questions of our 21st Century Theory series is whether the “correlationist thinking dominant today may perhaps be an obstacle to understanding important trends in contemporary art.”

 The Dadaists audience: themselves,  Berlin 1920 Opening with Hannah Höch, Otto Schmalhausen, Raoul Hausmann, John Heartfield mit Kind, Otto Burchard, Margarete und Wieland Herzfelde, Rudolf Schlichter, Ludwig Mies van der Rohe (?), Unbekannt und Johannes Baader

The Dadaists audience: themselves, Berlin 1920

Opening with Hannah Höch, Otto Schmalhausen, Raoul Hausmann, John Heartfield mit Kind, Otto Burchard, Margarete und Wieland Herzfelde, Rudolf Schlichter, Ludwig Mies van der Rohe (?), Unbekannt und Johannes Baader

The field of art is considered to be free, open and accessible to everyone. In reality, no outsiders have been spotted here for a long time. Does “art audience” today really only mean people who have an (economic) interest in the art world? Is anyone immune to the half-drunk advances of its warped social economy? Are we all alone? With these questions in mind, our reporter Elvia Wilk went from Berlin to Venice to the hotspots of this summer's art viewing and asked people.