Johann König

People
#44

The end is night: Crowds and power

A low murmur passed through the
crowd when I entered the room. Then
everyone fell silent and all you could
hear was quiet whispering: “He’s arrived!” By Rafael Horzon

Discourse
The Dadaists audience: themselves,  Berlin 1920 Opening with Hannah Höch, Otto Schmalhausen, Raoul Hausmann, John Heartfield mit Kind, Otto Burchard, Margarete und Wieland Herzfelde, Rudolf Schlichter, Ludwig Mies van der Rohe (?), Unbekannt und Johannes Baader

The Dadaists audience: themselves, Berlin 1920

Opening with Hannah Höch, Otto Schmalhausen, Raoul Hausmann, John Heartfield mit Kind, Otto Burchard, Margarete und Wieland Herzfelde, Rudolf Schlichter, Ludwig Mies van der Rohe (?), Unbekannt und Johannes Baader

The Professionals

The field of art is considered to be free, open and accessible to everyone. In reality, no outsiders have been spotted here for a long time. Does “art audience” today really only mean people who have an (economic) interest in the art world? Is anyone immune to the half-drunk advances of its warped social economy? Are we all alone? With these questions in mind, our reporter Elvia Wilk went from Berlin to Venice to the hotspots of this summer's art viewing and asked people.

Discourse
#37
Cashmere Sweeter: Dan Bodan, die große Berliner Hoffnung  

Cashmere Sweeter: Dan Bodan, Berlin’s next big hope

Do you sometimes have the feeling you are coming apart…?

Berlin Special: Stream of Consciousness about Berlin art scene that makes theory become lifestyle.