KW Institute for Contemporary Art

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View of Michel Majerus,“gemälde”, neugerriemschneider, Berlin, 19.11.–23.12.1994; © Michel Majerus Estate. Courtesy neugerriemschneider, Berlin. Photo: Jens Ziehe

View of Michel Majerus,“gemälde,” neugerriemschneider, Berlin, 19.11–23.12.1994 © Michel Majerus Estate. Courtesy: neugerriemschneider, Berlin. Photo: Jens Ziehe

Better, Late, Then Never

Was Michel Majerus the 20th century’s last conceptualist, or our own millennium’s first art-world troll? By Colin Lang

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#61
Above: Maria Nordman, For an Open Park (Bochum Plan) , 1985 Ink on paper, 58 x 77 cm © Maria Nordman & Situation Kunst; Collection Ruhr-University; Bochum

Above: Maria Nordman, For an Open Park (Bochum Plan), 1985 Ink on paper, 58 x 77 cm

© Maria Nordman & Situation Kunst; Collection Ruhr-University; Bochum

CURATOR'S KEY

Anna Gritz on Maria Nordman’s Room with two doors ( for a public park in Bochum-Weitmar) (1982/1989)

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Korakrit Arunanondchai / Alex-Gvojic, There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction), 2016 /Blue-Star sightseeing boat

Korakrit Arunanondchai / Alex-Gvojic, There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction), 2016 /Blue-Star sightseeing boat

Korakrit Arunanondchai / Alex-Gvojic, There's a world I'm trying to remember, for a feeling I'm about to have (a distractedpath towardextinction), 2016 /Blue-Star sightseeing boat

Early Access: Berlin Biennale shot by Neven Allgeier / Part 2

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Channa Horwitz
COUNTING IN EIGHT, MOVING BY COLOR © 2011 Photo by Ellen Davis 

Channa Horwitz
SONAKINATOGRAPHY COMPOSITION XXII
Chinese ink and Plaka color on Graphic Mylar 56 x 71 cm
Courtesy Sammlung Oehmen, Deutschland / Courtesy Oehmen Collection, Germany
© 2001, Channa Horwitz 

Channa Horwitz
LANGUAGE SERIES
Casein on rag board
162,5 x 209 cm
Courtesy Oehmen Collection, Germany 

© 1964-2004, Channa Horwitz 

Channa Horwitz at KW, Berlin