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Last weekend, dancer and choreographer Boris Charmatz hypothetically transformed Tate Modern into Musée de la danse. Our editor-at-large was harbouring some reservations about this new democratic participatory art, but found it surprisingly moving.
Curators Daniel Baumann and Jay Sander confess their secret love for the museum, discuss the (alleged?) power of the collector, and the reawakened interest in performance. Withholding that the latter’s successful combination of popular event with a claim to art is what makes it so attractive to museums. In 2012, Jay Sanders co-curated the Whitney Biennial together with Elisabeth Sussman. Daniel Baumann is one of the curators of this year’s Carnegie International in Pittsburgh.
![BMW Tate Live 2015 – "If Tate Modern was Musée de la danse?" Olivia Hemingway ©Tate Photography](https://www.spikeartmagazine.com/sites/default/files/styles/medium/public/users/shared/articles/images/bmw_tate_live_2015_-_if_tate_modern_was_musee_de_la_danse_olivia_hemingway_ctate_photography_-_3_copy.jpg?itok=zCA5NhRJ "BMW Tate Live 2015 – "If Tate Modern was Musée de la danse?" Olivia Hemingway ©Tate Photography")
