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DEAN KISSICK takes us through the troubled beginnings of the 2020s, charting his own history in New York, and the timeline of events of the previous decade that brought us here. Writing is the best cure for amnesia.
Rrose Sélavy, Vern Blosum, John Dogg: Why do artists create alter egos or hide as collectives behind made-up characters? Martin Herbert traces the figure of the fictional artist over the last hundred years and discovers a reflection of the art world’s changing face. Sometimes one identity just isn’t enough.
Alex Israel was born in Los Angeles in 1982. His practice is multi-faceted, employing a variety of media to accommodate the many and varied flavors of his particular West Coast aesthetic. His blown-up sun shades, airbrushed self-portraits, and Hollywood props belie a deeply layered set of personal and pop cultural references that expertly reorient their context. His As It LAys series of celebrity interviews reflect the miracle and wonder that is life in L.A. and helped to bring a greater attention to his sun-drenched artworks. Since 2010 he has operated a sunglasses company called Freeway Eyewear that has lately begun collaborating with marquee artists to design new looks. The next collaboration is scheduled for release this holiday season. Israel is an unvaryingly upbeat artist, consistently delivering a cool optimism across his oeuvre. What is his secret? An interview by Jon Leon.
Martin Kippenberger’s idea of an art that reflects its social conditions has evolved into an art world that integrates everything. What happens when the work dissolves into its context and the form of the work becomes a form of life?
A sprawling, multi-panel chronology of Bernadette Corporation’s history included in their current retrospective at Artists Space pinpoints their formation in SoHo in 1993 as the initiative of one »Bernadette« and some others active in the neighborhood club culture.