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The New York-based Norwegian artist is drawn to big subjects – violence, sexuality, destruction, aging, self-expression. His exhibitions are dense installations packed with paintings, sculptures, readymades, photographs, and contributions from friends working with art, design, or literature. Jennifer Krasinski speaks to him about the visual dimension of writing, the death drive in homosexuality, and the irrelevance of cultural relevance.
Art as Architectural Critique: Monica Bonvicini’s installations of chains, metal bars and glass boxes are an attack on the phallocentrism and latent violence of modernist concepts of ordering and planning. In this interview with Jennifer Allen the artist talks about the relationship between architecture and sexuality and dismantles some of the myths surrounding her work
