Simone Leigh

 Simone Leigh, Panoptica , 2019, Terracotta, steel, and raf a, 3178 x 305 cm Installation view, “The Hugo Boss Prize 2018: Simone Leigh, Loophole of Retreat”, Solomon R. Guggenheim Museum, New York, 2019  Photo: David Heald © 2019 The Solomon R. Guggenheim Foundation and Simone Leigh. Courtesy the artist 

Simone Leigh, Panoptica, 2019, Terracotta, steel, and raf a, 3178 x 305 cm

Installation view, “The Hugo Boss Prize 2018: Simone Leigh, Loophole of Retreat”, Solomon R. Guggenheim Museum, New York, 2019 

Photo: David Heald © 2019 The Solomon R. Guggenheim Foundation and Simone Leigh. Courtesy the artist 

"Just as automation envisions a future of work without workers, algorithms envision humanism without humans." By Harry Burke 

 Decolonize This Place outside Kanders's home

Decolonize This Place outside Kanders's home

Writing from New York, Allison Hewitt Ward takes a critical look at the events that shaped the controversy of the “Tear Gas Biennial” this summer and untangles the messy aftermath.