Barbara Piwowarska

Liliana Lewicka’s  Miejsce do rozmyślań  (A Place for Rumination), 1966. Installation view, Puławy, Poland. Photograph: Eustachy Kossakowski

Liliana Lewicka’s Miejsce do rozmyślań (A Place for Rumination), 1966. Installation view, Puławy, Poland. Photograph: Eustachy Kossakowski

EXHIBITION HISTORIES

Barbara Piwowarska on Liliana Lewicka’s A Place for Rumination (1966) at the The First Symposium of Artists and Scientists in Puławy, Poland

What can be changed through the twists and tweaks of design, architecture, technology, infra-structure, economics, or daily routines? How can the way we eat, learn, dress, live, and talk be a way to renew ourselves, and so too our society, from the ground up? Given that a different present is almost impossible to imagine and utopia is...

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Janek Simon at Ujazdowski Castle by Barbara Piwowarska

Brands such as Y/Project, Telfar and Vetements have found new ways to pick up where the designers of the 90s left off. Aided by strategies borrowed from art, they are transforming the fashion system from within and widening its boundaries beyond recognition. Fashion is succeeding precisely where art is not, wresting autonomy out of...

Arthur Jafa at Julia Stoschek Collection and "Left Performance Histories" at NGBK by Alexander Scrimgeour, Ellen Cantor at Galerie Isabella Bortolozzi by Barbara Piwowarska, Guy Bourdin at Museum für Fotografie by Robert Schulte

Discourse

#43

Portrait Weronika Ławniczak

The photographs of the young Polish artist reflect the conditions of selfhood in the era of the Instagram. Within a spectrum of mistakes, she discovers the tender, vulnerable body.

Barbara Piwowarska

EXHIBITION HISTORIES

#59 Spring 2019

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#55 Spring 2018

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Views Berlin

Portrait Weronika Ławniczak

#65 Autumn 2020