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Billie Muraben

#56 Summer 2018
The culture wars are raging. Neoliberalism and right-wing populism have co-opted the critique of the 1960s and turned it against art, science and the democratic public sphere, while the left is consumed by infighting. This issue is about the return to battle, strategies of (dis-)engagement, and the question of what art is capable of in...

#56 Summer 2018

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#56

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Joan Jonas at Tate Modern and Osías Yanov at Gasworks by Oliver Basciano and Julian Schnabel at Pace Gallery by Billie Muraben 

#55 Spring 2018
Brands such as Y/Project, Telfar and Vetements have found new ways to pick up where the designers of the 90s left off. Aided by strategies borrowed from art, they are transforming the fashion system from within and widening its boundaries beyond recognition. Fashion is succeeding precisely where art is not, wresting autonomy out of...

#55 Spring 2018

Views London

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#55

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"Counter Investigations: Forensic Architecture" at ICA and Laurie Simmons at Amanda Wilkinson Gallery by Billie Muraben, Sondra Perry at Serpentine Sackler Gallery by Lorena Muñoz-Alonso

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#66 Winter 2020/21
Here’s what we wanted: a deep, personal, painful appraisal of the art world as we know it. Some of us hate it, some love it, and many depend on its continued survival. When we posed this to our writers, they threw the kitchen sink at us: folklore, failure, fantasy, and wait for it ... God! It’s the Therapy Issue. And we’re still blaming...

#66 Winter 2020/21

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