It’s undeniable that Chris Martin’s paintings resemble »outsider art«. Yet I like them not for being intuitive, or spiritual, or liberated from convention – although they are all these things – but because they are affectionate.
For many visitors, Jordan Wolfson’s robot represents a first contact with the most technologically developed and also most disturbing robot they have ever seen. But can the gallery space do justice to the experience? After all, a robot is only as evil as the world into which it is placed.