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Dean Kissick ditches New York for warmer climes to preview this year’s Bienal de São Paulo, where the plants are plentiful and the glare of backlit screens, blessedly scarce.
A weekend so nice, they held it twice. This year, Berlin’s galleries rallied for a second, autumnal edition of the exhibition series, with several outposts sharing a thematic focus on new discoveries. Spike editor Isabella Zamboni, a newly-minted Berlin transplant by way of Milan, honed her sense of direction by exploring Gallery Weekend 2021.
It’s September. When the kids go back to school, what do the adults return to? Tradition? Seasonal basics? Cyberstalking like it’s the early aughts? Natasha Stagg reflects on summer’s wind-down for the final Out of State of 2021.
Collecting a decade’s worth of digital fragments for their ongoing net art project, two Palestinian artists splice, sample, and superimpose new modes of memory from the ephemera of online life.
Why does film – an art form built on stardom, visual pleasure, and control – have such a persistent sexual misconduct problem? It's an industry full of either monsters or geniuses, depending on who you ask.
"Tailwhip" shows off (occasinally bloody) ephemera from Xper.Xr’s three decades of activity in the industrial noise music and anti-art realms, offering a rare window into Hong Kong's poorly-documented underground scene.
Berlin, we’ve got your weekend plans sorted! Celebrate the Neue Nationalgalerie’s reopening with a Mies-van-der-Rohe-flavoured programme at venues across the city.
With an uptick in breakthrough cases and breakups, what’s left in New York? The shambles of the Astor Place Kmart, some piecemeal conspiracy theories about who controls it all – models, probably – and the Friends Experience (not to be confused with having friends).
New York is going through a renaissance; a golden age for contrarians, Catholics, and chimera-denialists. On the occasion of his first trip outside the city in a year and a half, Dean Kissick reflects on all that’s happened in the interim.
