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Two exhibitions in Paris – Nile Koetting at Parliament Gallery and the group show “Au delà” at Lafayette Anticipations – conjure data’s limitations in the face of the divine.
Forget Y2K; the 2010s are already back again. But retromania leads us down into a labyrinth of data horror, writes Adina Glickstein in her February column.
Will we still set New Year’s resolutions when our consciousness lives on computers? Adina Glickstein rings in 2023 with transhumanists, goblins, and worms.
Still from Wong Ping, Crumbling Earwax, 2022, 3-channel video installation, 13 min.Installation view at “Wong Ping: Ear Wax”, Times Art Center Berlin, 2022. Photo: Jens Ziehe, Berlin
In her new column "User Error," Spike Editor-at-Large Adina Glickstein charts the volatility of love and the crypto market, and finds solace in nightcore and Avril Lavigne conspiracy theories.
Scent, memory, and language all imperfectly conjure the moments we keep coming back to. Adina Glickstein writes about Rimbaud, a new fragrance from Celine.
Scientist-turned-artist Libby Heaney speaks about what quantum means, how it can be made more accessible, and the feminist possibilities that its essential plurality unleashes.
Whether you’re totally pilled or an adamant no-coiner, you’ve probably noticed that Web3 has a lexicon all its own. We’ve put together a guide to some of the insider jargon to help you navigate this wild world. Fear, uncertainty, and doubt no more.
Rafaël Rozendaal has been making digital art for two decades, and he’s unfazed by the rise of Web3. In this conversation with Spike, he explores how websites are like poetry, dishes some lessons in exhibiting digital work, and argues in favour of keeping the punk spirit alive in NFTs.
Ready to wade into tokenised waters, but feeilng overwhelmed by the big Open Sea? Let Spike be your guide: here are our favourite marketplaces, platforms, and protocols for cryptoart.
Facebook got a facelift — but there's nowhere in the metaverse left to run from the problems of their own design. Adina Glickstein takes stock of the social media titan's rebrand.
Is acceleration all it’s cracked up to be? Spike editor Adina Glickstein motors to Munich for a survey of art that critically reflects on the need for speed.
Berlin, we’ve got your weekend plans sorted! Celebrate the Neue Nationalgalerie’s reopening with a Mies-van-der-Rohe-flavoured programme at venues across the city.
Ditching social media, Bottega Veneta goes rogue with a multimedia journal – a space for creative expression unbound by the pressures of the algorithmic feed.
American Artist, Mother of All Demos, 2018
Dirt, 9” monochrome CRT monitor, computer parts, Linux operating system, subwoofer cable, wood, asphalt, plastic gloves
Installation view HOUSING, New York
What did you get for Valentine’s Day? Some New Yorkers were treated to a unique blend of sexual energy and frustration in Irena Haiduk’s “Cabaret Économique”, performed at the Swiss Institute, New York.
Armerican Artist at the Queens Museum by Harry Burke. Rachel Harrison at the Whitney Museum of Contemporary Art by Adina Glickstein. Andro Wekua at Gladstone Gallery by Jeppe Ugelvig
![Katonah Yoga "Wraps for Rapture"](https://www.spikeartmagazine.com/sites/default/files/styles/medium_square_400/public/users/shared/articles/images/katonah_yog_22wraps_for_rapture22_diagram_cropped.jpg?itok=Drdam04r "Katonah Yoga "Wraps for Rapture"")
