Leila Peacock

Ahead of his first-ever pool performance at Kunsthalle Friart Fribourg, Ei Arakawa walks through the changing infrastructure for artist-parents, the integrality of surprise to humor, and modelling queer fatherhood.

 Anne Fellner,  Point No Point (Sage)  (2020). Oil, acrylic, and enamel on synthetic fabric, 137 x 195 cm. Courtesy Liste Expeditions

Anne Fellner, Point No Point (Sage) (2020). Oil, acrylic, and enamel on synthetic fabric, 137 x 195 cm. Courtesy Liste Expeditions

For the next year, Spike is inviting authors from around the world to write a freeform exploration centred on an artist of their choice from the Liste universe. We’re kicking things off this December with an essay by Leila Peacock on the painter Anne Fellner.